Publish Date |
June 26, 2018 |
Category |
Juvenile Nonfiction / Careers Juvenile Nonfiction / Biography & Autobiography / Literary |
Price |
$12.99 |
ISBN: 9781481472098
Format: Paperback
Pages: 208
Publisher: Atheneum Books for Young Readers
Published: June 26, 2018
"Twenty-six notable authors and illustrators of children's books—including the book's editor—introduce themselves via their childhood memories.The short, straightforward introduction begins with the editor sharing her inspiration for the book.... Two years of interviewing, collecting, and collating produced the accessible, enjoyable text that follows. Each creator shares a childhood photograph, a brief memoir, a short biography, and a photographed sample of a creative work from childhood.... The art and writing samples from childhood are occasionally exciting but more often typical of the age represented—and thus encouraging rather than intimidating to young creatives. The memoirs—all (unsurprisingly) engaging—range from humorous to serious, and some slip in good advice, both about the tools of the craft and about self-marketing. There is a wide diversity of ages and backgrounds, from Phyllis Reynolds Naylor to Alex Gino, from Eric Rohmann to Rita Williams-Garcia. Thanhhà Lai is especially memorable; as a Vietnamese refugee, she had no box of writings: "But it turns out, I don't need tangible objects. I have my memories." Her recollection of an oral prose poem from age 8 is one that stands out because it is indeed remarkable for one so young. Good for aspiring writers and artists.""Firsthand accounts from 26 children’s authors and illustrators describe how their earliest writing or drawing experiences resulted in a career in kid lit.... An attractive cover, glossy pages, and writing tips will make this a great addition to collective biography or career sections. VERDICT: An authentic, generous, and inspiring selection for tweens who wonder where their doodling or journaling might take them.""The best authors and artists make their work seem so effortless that it’s easy to assume they’re all preternaturally gifted; it’s easy to forget the inevitable time and labor that went into their work, and this collection is the perfect remedy to that misapprehension. In short sections, children’s literature luminaries offer short essays about their early artistic efforts and snippets of their early work...the main takeaway, of course, is that hard work and practice, as well as a lot of inevitable failure, is always part of honing a craft. A sweet, inspirational anthology for any kid who dreams of one day having their own name on the cover of a book.""This collection offers a lively glimpse of the artistic starts of twenty-six writers and illustrators for youth, with notable contributors such as Kwame Alexander, Dan Santat, Phyllis Reynolds Naylor, and Linda Sue Park . . . The snapshots of the artists as young men and women are engaging and irreverent . . . There are a lot of shoutouts to influential teachers, a lot of early imitation (rightly recognized as a valid exercise), and a clear message throughout that this early work counts, whether you finish it, whether it’s completely original, whether it wins you the regard you hoped… this has curricular use written all over it (there’s even tips for young writers at the end) and the encouragement is strong and valuable. Plenty of young readers will salivate at the notion of living the dream described by Jarrett J. Krosoczka: 'What I do now for my job is exactly what I did for fun when I was a kid.'""Twenty-six children’s book creators reflect on the stories and art they produced in their youth. Each section includes a brief essay by the author or illustrator, images of the work in its (often handwritten) original form, and a bio that shows what came out of that work in the contributor’s adulthood. Many entries are amusingly self-effacing: Dan Santat remembers a tantrum at age five because he couldn’t draw as well as Norman Rockwell, and Candace Fleming recalls transferring the Newbery sticker from The Witch of Blackbird Pond to her own short story. Young aspiring writers and artists should find reassurance in the early foibles of those now successful in the field. But the volume also shows examples of developing talent—check out teenaged Ashley Bryan’s drawings!"